The Making of Pinocchio by Cade & MacAskill
Enter a world of wildly queer utopic imaginings, conjured in a click-and-lock landscape where everything can change and everything can...
About this event
IPAF presents: The Making of Pinocchio by Cade & MacAskill
In a forest of real wood and fake wood, and real fake wood, and fake real wood, join the cast, crew, and creators as they construct Pinocchio over and over again, shaking the boundaries between possible and impossible, reality and fantasy. Turning wood into flesh, boys into donkeys, and making that nose grow… the tricks of the trade will be revealed before your very eyes.
Artists and lovers Rosana Cade and Ivor MacAskill have been making The Making of Pinocchio since 2018, alongside and in response to Ivor’s gender transition. Glimpsed through a fictionalised making process, the artists’ real autobiographical experience meets the magical story of the little lying puppet who wants to be a real boy.
Enter a world of wildly queer utopic imaginings, conjured in a click-and-lock landscape where everything can change and everything can connect.
The Making of Pinocchio’s first presentation at Take Me Somewhere May 2021 was designed as a special one-off digital performance and performed and filmed in Tramway, Glasgow in May 2021 under covid-19 restrictions.
About the Artists:
Cade & MacAskill are renowned queer live artists based in Glasgow, creating and performing their unique works nationally and internationally in a wide range of contexts. Their work, together and individually, straddles the worlds of contemporary theatre, live art, queer cabaret, film, children’s performance, site-specific and socially engaged practices. Their show MOOT MOOT, commissioned by Fierce, The Marlborough and The Yard was part of Edinburgh Fringe 2019, Made In Scotland Showcase, and British Council Showcase.
Cade & MacAskill regularly perform together in their anti-genre live art concept band ‘Double Pussy Clit F*ck’ which assaults audiences across performance, club, and music contexts. They also both create work as individuals and in various other collaborations.
Access info:
The main entrance to the venue has three steps. The venue can be accessed step-free from the back entrance (Lygtens Plads) on request. Please either email us in advance (tickets@warehouse9.dk) or talk to our Front of House staff on location. The ground surrounding the venue is cobblestone. The event is seated. All toilets are gender-neutral and one is certified accessible to wheelchair users.
Lygten Station is registered at Access Denmark
https://accessdenmark.com/factsheet/lygten-station-8437#
General access info:
We encourage people to take a covid test before showing up to any event. We will provide masks and hand sanitizer at all venues.
Concession tickets are available to all performances in an attempt to make our festival accessible regardless of income. We do not have any set rules as to who the concession applies to and there will be no questions asked.
It will be possible to buy tickets at the door granted the event is not sold out. To ensure a ticket, please make sure to book in advance via Eventbrite.
IPAF and Warehouse9 are committed to making our programme as accessible as possible to everyone. We have done our best to provide access descriptions of all venues and performances but if you have any questions or would like to inform us about your access needs, please do not hesitate to get in touch via tickets@warehouse9.dk.
Credits:
A Fierce Festival, Kampnagel, Tramway & Vooruit Co-Commission. Produced by Artsadmin. Funded by Creative Scotland and Rufolf Augstein StiftungWith support from The Work Room/Dianne Torr Bursary, Scottish Sculpture Workshop, National Theatre of Scotland, Live Art Development Agency, Gessnerellee, Mousonturm, Forest Fringe, West Kowloon Cultural District, LGBT Health & Wellbeing Scotland and Glasgow Zine Library.
Created and performed by Rosana Cade & Ivor MacAskillSet, Prop & Costume Designer: Tim SpoonerSound Designer: Yas ClarkeLighting Designer & Production Manager: Jo PalmerProducer: Mary Osborn for Artsadmin
Outside Eye: Nic GreenCreative Coach: Stacy MakishiVideo consultancy: Mamoru Iriguchi
Digital Edition:Cinematographer: Kirstin McMahonCamera operator: Alex Storey GordonTechnician: Samuel Martin-Randerson & Sam Burnley Assistant Stage Manager: Goose MasondoAudio description: Juliana CapesCaptioning: Collective Text; Emilia Beatriz, Daniel Hughes with Rosana Cade, Yas Clarke, Ivor MacAskill, and Jamie Rea
Click here to visit the Artists website
Visit www.warehouse9.dk for more info